After all of this incredibly slow buildup, nearly every important event in the Brontë family history falls into a highly compressed period, from 1847 to 1849. Patrick's vision was restored through the cataract surgery, and he resumed writing about public issues, which had been his main area of interest. At this time in particular there were economic troubles and poverty in Haworth. Branwell established himself as a full-time drunkard and ran up debts. In 1847, Charlotte submitted the novel The Professor for publication. Emily submitted Wuthering Heights, and Anne submitted Agnes Grey. The Professor was rejected at the time but was published posthumously. Charlotte had been working on Jane Eyre and submitted it shortly thereafter. It was published in 1847. Wuthering Heights and Agnes Grey were published in one volume in 1847. Anne's second novel, The Tenant of Wildfell Hall was published in 1848, and Charlotte's third novel, Shirley, was published in 1849. Of all the Brontë novels, Jane Eyre was the most popular. Throughout this period, Charlotte held a managerial view and attempted to protect Emily and Anne as she saw fit. While Emily and Anne were working on their second novels, Charlotte may have rejected Emily's choice of a Heathcliff-like character, and that manuscript seems to have been destroyed. Charlotte also disapproved of some of the subject matter in The Tenant of Wildfell Hall.
It is surprising to me that Patrick knew nothing about his daughters' novels and seemed to be uninterested when Charlotte told him about them. However, he became proud as the novels made them famous.
Branwell's condition worsened during 1848:
Branwell's 'fainting fits' were almost certainly brought on by his excessive drinking and may have been a symptom of delirium tremens. Writing to Ellen at about the same time, Charlotte complained, 'he is always sick, has two or three times fallen down in fits.' On one notorious occasion, Branwell even managed to set his bedclothes on fire while lying in a drunken stupor. Fortunately, Anne happened to be passing his open door and, realizing the danger, tried to rouse him. When she could not do so she ran to get Emily, who unceremoniously dragged her brother out of his bed, flung him into the corner and the blazing bedclothes into the middle of the room, dashed to the kitchen for a large can of water and doused the flames.
Branwell died on September 24, 1848, at the age of 31. Emily died from tuberculosis on December 19, 1848, at the age of 30. Anne died from tuberculosis on May 28, 1849 while visiting Scarborough with Ellen Nussey and Charlotte. She was 29.
I've still got about three-hundred pages to go, though the main story is already finished. I don't currently intend to read any more of the Brontë works myself and will just make some comments now. While there are many criticisms that one can make of Wuthering Heights as a novel, particularly because of its general lack of realism, I consider Emily to be in a sense a poet who never reached her full potential. I wish that she had spent more time on poetry. I was less impressed with Jane Eyre, though it does have some good aspects. The section on Lowood School is extremely realistic, and the best realistic novels in England didn't appear until 1871, twenty-four years later. However, the plot revolving around Rochester seemed harebrained to me. The impression I have is that much of the Brontë oeuvre is infected with juvenilia, and the Brontës' limited exposure to cities reduced their awareness of both sophisticated readers and urban life. Here is what George Eliot wrote to Charles Bray on June 11, 1848:
I have read Jane Eyre, mon ami, and shall be glad to know what you admire in it. All self-sacrifice is good -- but one would like it to be in a somewhat nobler cause than that of a diabolical law which chains a man body and soul to a putrefying carcase. However the book is interesting -- only I wish that the characters would talk a little less like the heroes and heroines of police reports.
Without even knowing the backstory, George Eliot may have intuited Charlotte's extreme frustration with the fact that Constantin Heger was married and not available to her. Little did George Eliot know that a few years later she would be unable to marry G.H. Lewes.