Following John P.'s recommendation, I just read this short novel by Beppe Fenoglio. The subject is similar to Italo Calvino's in The Path to the Spiders' Nests, though the style is completely different. The setting is rural Italy in the vicinity of the town of Alba during World War II, and the protagonist, who goes by the name "Milton," is a Partisan fighter opposing the Fascist fighters in the region. In the opening scene, Milton attempts to see Fulvia at her family's villa, but she had fled to Turin for safety. He is in love with her but is shocked when the housekeeper mentions offhandedly that she is involved with Georgio, his best friend. The three of them are well-educated, but, comparatively speaking, Fulvia and Georgio's families are wealthier than Milton's. That isn't presented as a particular problem within the narrative. Milton then returns to his Partisan activities, but he ruminates over this potential love triangle for the rest of the novel. The landscape is hilly, and most of the traveling is done at night, with fog, rain and mud. There are many Fascists in the region, and they may be encountered at any time, unexpectedly.
Soon Milton learns that Georgio has been captured by the Fascists and has been taken away in a cart. His goal then becomes the rescue of Georgio. He speculates on whether or not they would execute Georgio and decides that, since he came from a good family, they wouldn't immediately. With this in mind he seeks a suitable hostage who could be exchanged to release Georgio. He does capture one, but he attempts to escape, and Milton shoots and kills him. The Partisans in the country frequently stay at farmhouses, where the families, including the women, are still at home. At one house, there is a female schoolteacher who is a belligerent Fascist, and the Partisans hem and haw over whether she should be executed. Finally they decide to spare her and merely shave her head as punishment.
At the end of the novel, Milton decides that he must find out for certain about Fulvia and Georgio's relationship, and he returns to her villa. However, he encounters a Fascist group near there and the novel ends with uncertainty regarding whether me makes it to the villa or not.
I agree with John P. and think that this a better novel than The Path to the Spiders' Nests. Apparently, Italo Calvino thought so too, and he touted this book. Some of that may be explained by the fact that Fenoglio was thirty-eight when he wrote it, whereas Calvino was only twenty-three when he wrote his. But you must also consider the fact that Fenoglio's style is what I call psychological realism, whereas, in The Path to the Spiders' Nests, Calvino's style is just basic realism, in which you merely see the external behavior of the characters, and their inner lives, to the extent that they exist, remain invisible. If there is any psychology in The Path to the Spiders' Nests, it pertains to whether or not Pin is able to comprehend what is going on around him. Pin's actions directly precipitate the death of his sister, but because that is not a psychological novel, Calvino doesn't clarify that point or speculate on what Pin may or may not realize then or later. The Milton character in A Private Affair is presented in a far more human manner than the characters in most fiction, because you are shown his inner workings, which provide a sense of what is important to him. For this reason, I was able to identify far more with Milton than with any characters in The Path to the Spiders' Nests.
Because I've mainly given up on fiction, particularly American fiction, I'm not very excited by writing about it now, but I thought that this might be a good time to bring up The Road, by Cormac McCarthy, to clarify some points. I still think that The Road is one of the best American novels, though, obviously, many would disagree with me. In certain respects, The Road is similar to The Path to the Spiders' Nests, because the narrative includes only the actions of the characters, and their inner lives are generally ignored. In this type of realism, the characters are always, to some extent, ciphers, or some sort of inaccessible behavioral packages. Since I have spent my entire life observing people and thinking about my own characteristics, I now find it rather grating that most fiction is still based on simple externalities, and all of the interesting stuff is usually ignored. Although language is multipurpose, it seems to have evolved primarily for the exchange of factual, objective information, and therefore the inner lives of people may routinely be considered inappropriate topics. But they're not. There are indeed good psychological novels, but there seem to be far more of them written by Europeans than by Americans. In fairness to Calvino, I should note that both of his parents were botanists, and they were disappointed with him when he chose to become a writer. So, in Calvino's case, coming from a scientific background, his initial style was realistic and objective.