Over the last few years, ever since I purchased a decent set of speakers, when the opportunity has arisen I have studied the popular music that I used to listen to, and I have been trying to determine how various performers from that period in my life stack up qualitatively. I started out by listening to the Allman Brothers Band, which I hadn't paid much attention to earlier, since they were latecomers, with At Fillmore East recorded in 1971, and, from a musical standpoint, I currently think that they were the best. I have also been listening to Jimi Hendrix, who died in 1970, and Stevie Ray Vaughn, who died in 1990. Mark Knopfler, of Dire Straits, is another good guitarist, but his albums are more obviously commercial than the others. I still prefer Duane Allman, who, in collaboration with Dickey Betts and other members of the group, made what, as far as I know, is the best live rock album ever recorded. I listened to Lynard Skynard, and still like "Sweet Home Alabama," but they were not on par with the Allman Brothers musically. I also revisited The Doors, who became popular in 1967 with "Light My Fire," and decided that although I like Jim Morrison's voice and Ray Manzarek's keyboard, they were a group of narrow interest, probably because Jim Morrison was a little crazy. I also listened to Jethro Tull's Stand Up, which was released in 1969; I became interested in that group during my hippie summer in Bloomington, Indiana in 1970, and have decided that, even though it was an innovative album, in hindsight it's good but not great. Most recently, I listened to Jefferson Airplane's Surrealistic Pillow, which was released in 1967 and was their breakout album. That was a significant year for me, and the first time that I took hallucinogenic drugs. Hearing it now, I still get a kick out of it, because it reminds me of the psychedelic days, when Timothy Leary was a cult figure – an era which seems to have vanished entirely from human consciousness. Surrealistic Pillow has musical limitations due to the talents of its members. In the 1960's, popular musical groups formed rapidly, and some groups had hits before they had become seasoned performers. However, with Grace Slick's voice, then-current musical innovations and cultural changes associated with the anti-war movement and the rise of drug use, it is an interesting sound and can be seen as a cultural signifier. Listening to that album is de rigueur if you want to fully understand Californian history during that period. I miss the days of long musical riffs, because the lyrics in popular music tend to be awful. Even though I'm sick of Bob Dylan and don't think that he deserved a Nobel Prize by any stretch of the imagination, he was, in my opinion, about the only popular performer who produced decent lyrics during the 1960's.
In other news, I have been wavering on what to read next. I considered reading A Vindication of the Rights of Women, by Mary Wollstonecraft, but decided that, since it was published in 1792, it would be difficult to relate it to the modern world. Wollstonecraft was one of the most important female thinkers ever, and I enjoyed her biography, Vindication: A Life of Mary Wollstonecraft, by Lyndall Gordon. I've ordered another short book by Richard Feynman, which I'm sure to like, but it probably won't be as good as "Surely You're Joking, Mr. Feynman!" I've also ordered a long biography of William Morris, which is a sign that I'm really hitting rock bottom. Given that my style might be described as "frugal ascetic," you may not think that I would be interested in fashion or design. However, I have always liked some of William Morris's designs, particularly his wallpapers. I like the architecture of Gothic cathedrals and some of the motifs in pre-Christian English art. Generally, I don't care for English artists, including those in the Bloomsbury Group, but William Morris seems to have produced some works that I can appreciate. Although you would never know it from looking at me, I probably have fashion awareness in my genes. My father's father came from a line of tailors and was a director at Liberty & Co., which apparently was Oscar Wilde's favorite store. My father's mother came from a line of hosiers, hatters and furriers. On my mother's side, although they made most of their money importing pianos, her parents later owned a ready-to-wear shop in Athens. I am tired of thinking about politics and hope that I can maintain a stream of books to read that will provide a more constructive and satisfying use of time.
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