Wednesday, July 24, 2024

Diary

With all of the recent political developments, I thought I'd comment on the election again. In my opinion, it's a good thing that Biden dropped out. While, technically, he was a good president, there was little enthusiasm for him, and Kamala Harris is an improvement for the Democrats. She is currently producing enough excitement that she could actually win. During the 2020 primary, I initially liked her, but, since she wasn't much of a policy wonk, I went for Elizabeth Warren. Harris is more charismatic than Warren or Hillary Clinton, and she should do well in the coming election. She does have several negatives, however: she is definitely a Californian, which many Americans can't relate to, and her political experience is still somewhat limited. And then, a dark-skinned woman with foreign-born parents and a Jewish husband would have been unthinkable as president a few years ago. But this could turn out to be a rare opportunity, because of the Trump scenario: for many, he is the most hated president in their lifetimes, and he could potentially become a right-wing dictator if reelected. Furthermore, Harris seems to have enough chutzpah that she might successfully attack Trump in a debate – something he's never faced before. Some say that, as a former prosecutor, she would be good at that. It really is quite unbelievable that a convicted felon, rapist and well-documented liar is the Republican candidate for president. Although it's far from certain, the tide could turn on Trump very quickly.

In other news, in my summer doldrums, I'm having some difficulty entertaining myself. I did, however, have a pleasant surprise last Saturday, after Middlebury College suddenly announced the appearance of Duo Ondine at the Middlebury Chapel. They play orchestral pieces transcribed for two pianists on one piano. One of their pieces was a Debussy favorite of mine. This was quite different from most Middlebury performances. There seemed to be no Middlebury staff present, and the program was in French and looked as if it were printed on a copier. The artists introduced themselves on the stage, speaking only in French. They made a lot of eye contact with me, because I was sitting in the front row.

At home, I'm having a hard time finding new films that I like. Besides Taxi Driver, I watched On the Waterfront, which I still think is very good. I don't get excited by Tom Cruise, Brad Pitt, Tom Hanks, or most of the other leading males now. Russell Crowe and George Clooney aren't much better. Anthony Hopkins is eighty-six! We no longer have the equivalents of Jack Nicholson, Marlon Brando, Cary Grant, Jimmy Stewart or Clark Gable. Jennifer Aniston is no Ingrid Bergman. The newer directors aren't that great either. I've tried several Coen brothers' films, and the only one that I liked was Fargo. So there are no equivalents today of Stanley Kubrick, Éric Rohmer, Milos Forman or Roman Polanski. As I've often said, this is all part of the corporatization of the arts in the U.S. Besides that, the internet and social media seem to be redefining entertainment in a manner that removes psychological complexity and replaces it with a sort of personality blandness that is suitable for children. This is reflected in the Marvel superhero films, and Barbie had the same problem.

I do, however, have a new book to read and will start on it shortly.

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