One Flew Over the Cuckoo's Nest

I just watched "One Flew Over the Cuckoo's Nest" for the first time in many years and thought I'd write about it today. The film seems to be a little different from the novel, perhaps because it may be based on a play that had been based on the novel. This makes the main characters sharply-focused, and the acting and directing skills necessary to make it were a little more demanding than in the case of most films. The popularity of films and plays can be social phenomena in themselves and in some cases bear little relation to the intentions of the author. When I was in college, the Samuel Beckett play, "Waiting for Godot," was wildly popular and had made Beckett famous; reading about it now, it seems that the play became popular primarily because viewers read their own meanings into it, and those meanings were not ones intended by Beckett, who, before that play, had been an obscure Irish writer. When I saw a college production of it, it didn't make much sense to me. A similar phenomenon can occur with films, and I don't think that Ken Kesey, the author of the novel, particularly approved of the film. Popular films and plays can take on a life of their own in relation to the intent of the original author, and, as I've said, I think that the best literary works shouldn't have film versions. However, I think that Kesey was a run-of-the-mill participant in the Beat movement, which, though it played an important role in American arts from the postwar years up until the 1960's, doesn't have much of a discernable legacy in the present. There may still be some surviving elements in jazz, in writers such as László Krasznahorkai, the Hungarian, in Lawrence Ferlinghetti, the poet, who died in 2021, and perhaps even in the early music of Bob Dylan, but for the most part the Beats are ancient history already.

I think that this film may have an added dimension because, as I wrote earlier, the director was a Czech, Miloš Forman. Jack Nicholson may have been given the part of Randle McMurphy based on his participation in the film "Easy Rider," released in 1969. That film, I think, though a low-budget one, contains anti-establishment elements that could be said to carry over into "One Flew Over the Cuckoo's Nest." Forman came from an anti-totalitarian arts environment in the Eastern Bloc, working roughly in the same tradition as Milan Kundera and perhaps some of the early Soviet dissident writers. Being a dissident in Eastern Europe is quite different from being a dissident in the U.S.: Alexei Navalny, an enemy of Vladimir Putin, recently died at the age of forty-seven, whereas Bob Dylan, who once wrote protest songs, is now eighty-three years old and a multimillionaire. 

The story line of this film is fairly simple. McMurphy is a prisoner in Oregon who had been found guilty of having sex with a minor, though he had denied knowing her age. Not liking prison, he was able to get himself transferred to a psychiatric hospital. His ward at the hospital is managed by Nurse Ratched, who has been maintaining an orderly environment with strict rules and a regular medication schedule for patients. The patients have a diverse range of psychiatric symptoms: some have severe symptoms and clearly could not function on their own in society, whereas a majority are relatively normal and are there as a matter of personal choice. Nurse Ratched administers a ludicrous group therapy session in which several of the patients don't have the slightest idea what is going on. McMurphy completely disrupts the environment by developing relationships with some of the patients and encouraging them to be more adventurous. One day, he and a group escape by stealing a bus and then stealing a boat to go fishing in the Pacific Ocean. He also arranges to bring along one of his girlfriends. Later, he sets up a large party after hours, with two of his girlfriends and a lot of booze smuggled in. One of his friends, Billy Bibbit, who has a terrible stutter, ends up sleeping with one of the girlfriends. When Nurse Ratched arrives in the morning, the ward is in shambles, and she finds Billy in bed with the woman. After she threatens to tell Billy's mother, he commits suicide by slitting his throat with a piece of broken glass. McMurphy becomes enraged and attempts to strangle Ratched, but he is pulled off her by the attendants.

In the course of his stay, McMurphy develops a close relationship with Chief, a tall Native American who has been pretending to be mute and deaf. When McMurphy realizes this, they begin to talk in private. He plans to escape with McMurphy at some point. After the strangulation incident, for which Ratched gets a neck brace, McMurphy is taken away. It isn't clear what happened to him until the end. He is returned to the ward at night. When Chief sees that he has been lobotomized, he suffocates him with a pillow and then breaks out by lifting up a large sink and throwing it through a window. In the final scene, he is shown running toward a forest.

Although I suppose that there are several ways that one might interpret this film, I prefer to see it as a critique of how American society employs thought control techniques in order to maintain a docile conformity in American life. While McMurphy does have some antisocial tendencies, in this film he engages his community in a way that they mostly appreciate and from which they benefit. This appeals to me because I have always been annoyed by the mindless conformity within the U.S. I think that this view of the film is supported by the fact that the hospital staff decides that McMurphy has to be permanently disabled by brain surgery when they could simply have returned him to prison. I think that some viewers make out Nurse Ratched to be a heartless villain, whereas I see her as an ordinary American who is just doing what she thinks is her job, which happens to encourage conformity and limited self-expression. If you ever wonder why political developments follow the direction that they do in this country, you can find clues in this film. So, overall, I still think that this to be one of the best American films, which includes the script, the acting and the filming.